Art history research in scientific discourse
DOI:
https://doi.org/10.46502/issn.1856-7576/2023.17.01.16Palabras clave:
art history discourse, ethnomusicology, interpretation, mechanism of reception, decoding of art, structural and functional method.Resumen
It is noted in the article that art historical research occupies a prominent place in the scientific discourse. The work on the identification of obscure views on music as a phenomenon in the cultural and anthropological tradition of music is carried out. It is proved that scientists interpret the painting as a semiotic system with its special image code, the information of which can be decoded. The secondary verbal expression of such messages in the text of art is possible due to the mechanism of interpretation. It is concluded that the non-verbal type of artistic creativity is comprehended by the subject in the form of the inclusion of the mechanism of reception, evaluated, transformed into a verbal code, and thus interpreted.
Citas
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Derechos de autor 2023 Liydmyla Bilozub, Maksym Tymoshenko, Nadiia Bedrina, Nadiia Voronova , Tetiana Andrushchenko
Esta obra está bajo una licencia internacional Creative Commons Atribución 4.0.