Art history research in scientific discourse
DOI:
https://doi.org/10.46502/issn.1856-7576/2023.17.01.16Palabras clave:
art history discourse, ethnomusicology, interpretation, mechanism of reception, decoding of art, structural and functional method.Resumen
It is noted in the article that art historical research occupies a prominent place in the scientific discourse. The work on the identification of obscure views on music as a phenomenon in the cultural and anthropological tradition of music is carried out. It is proved that scientists interpret the painting as a semiotic system with its special image code, the information of which can be decoded. The secondary verbal expression of such messages in the text of art is possible due to the mechanism of interpretation. It is concluded that the non-verbal type of artistic creativity is comprehended by the subject in the form of the inclusion of the mechanism of reception, evaluated, transformed into a verbal code, and thus interpreted.
Citas
Adams, L.S. (2002). Art across Time. Laurie Schneider Adams. New York: McGraw-Hill Higher Education, 1023 p. 27.
Asieieva, N. (1984). Ukrainian-French artistic connection of the 20-30's of the twentieth century. Kyiv: Scientific Thought, 125.
Asieieva, N. (2006). Reminiscences of Impressionism in Ukrainian painting of the twentieth century. An essay on the history of fine art of Ukraine of the XX walls of modern. Kyiv: Intertekhnolohiia, 22–161. (In Ukranian)
Asieieva, N. (2011). The history of the concept of "Impressionism" on the territory of stepfathers of artistic culture. Impressionism and Ukraine: Album Kyiv: Gallery PF, 240 p. (In Ukranian)
Birnie Danzker, J., Jassenjawsky, I., & Kiblitsk, J. (1993). Avantgarde & Ukraine. München: Klinkhardt & Bierman, 198 p.
Boas, F. (1887). Poetry and Music of Some North American Tribes. Science. Iss. 220. 383-385. DOI: 10.1126/science.ns-9.220.383
Boas, F. A. (1884). Journey in Cumberland Sound on the West Shore of Davis Strait in 1883 and 1884. J. of the American Geographical Society of New York, 16, 242-272.
D'Alleva, A. (2008). How to study art history. Krakow: Society of Authors and Publishers of Scientific Works Universitas, 184. (In Polish)
D'Alleva, A. (2008). Methods and theories of art history [crowd. Eleonora and Jakub Jedlińscy]. Krakow: Society of Authors and Publishers of Scientific Works Universitas, 227. (In Polish)
Herzog, G. (1934). Recording Primitive Music in Africa and America. The Folk-Song Society of the Northeast, 1934, 2–3
Herzog, G. J. (1936). Proverbs from Liberia: Maxims in the Life of a Native Tribe. London: Oxford Univ. Press.
Jones, R.N. (2011). Discourse, Technology, and "Bodies without Organs". Digital Discourse. Language in a New Media. NY: Oxford University Press, 321-339.
Malinowski, B. (1935). Coral Gardens and Their Magic: The Language and Magic of Gardening. Vol. II. Osmania University Library. URL: https://archive.org/details/coralgardensandt031834mbp/page/n15
Markhaichuk, N. (2006). The concept of non -urgency in the context of the development of a stepfather's disopuenative painting of the twentieth century (Author's abstract. Dis ... Cand. Artistic) N.V Markhaychuk; Kharkiv. State. Acad. design and artist.
Nettl, B. (2005). The Study of Ethnomusicology: Thirty-one Issues and Concepts. 2nd ed. Urbana: Univ. Of Illinois Press.
Nettl, B. (2010). Nettl's Elephant: On the History of Ethnomusicology. Urbana, Springfield, and Chicago: Univ. of Illinois Press.
Petrova, O.M. (2004) Art Studies Reflection: History, Theory and Criticism of the Fine Arts of the 70's of the XX Century. The beginning of the 21st century. K.: From. KM Academy House, 400
Reed, D. (1993). The Innovator and the Primitives: George Herzog in Historical Perspective. Folklore Forum, 26(1–2), 69–92.
Rusted, B. (2006). Performing Visual Discourse: Cowboy Art and Institutional Practice. Text and Performance Quarterly, 26(2), 115-137.
Seeger, Ch. (1977). Studies in Musicology 1935–1975. Berkeley: Univ. of California Press
Shmahalo, R.T. (2007). The path of the Livian School of Art Studies in the 21st Century. Bulletin of the Livsk National Academy of Arts. - Special issue. Lviv: LNAM, 351. (In Ukranian)
Shumylovych, B. (2006). Visual irony and Ukrsuch art. Irony: Collection of articles. Olena Galta, Yevgeny Gulevich, Zoryana Rybchinsk. Lviv: Litopys; Kyiv: Smoloskyp, 78-92. (In Ukranian)
Skrynnyk-Myska, D.M. (2010). Ukrainian version of modern arthry. Philosophy of money in a day of financial civilization: a monograph. K.: NBU UBS, 470– 478. (In Ukranian)
Vaisman, C. (2004). Performing Girlhood through Typographic Play in Hebrew Blogs. Digital Discourse, 245 p.
Yakovets, I.O. (2014). Visual Arts in the Context of Development of Culture Informatically Society. Bulletin of the Kharkiv State Academy of Design and Arts: Coll. Sciences. pr. Kharkiv: KhDADM, 121–125. (In Ukranian)
Yatsiv, R. (2009). Methodological tools of contemporary art: from descriptive to unleashed meanings “A…Z art”. № 1. L.: KVK «Lviv Palace of Arts». 8-9. (In Ukranian)
Descargas
Publicado
Cómo citar
Número
Sección
Licencia
Derechos de autor 2023 Liydmyla Bilozub, Maksym Tymoshenko, Nadiia Bedrina, Nadiia Voronova , Tetiana Andrushchenko
Esta obra está bajo una licencia internacional Creative Commons Atribución 4.0.
